what a good new to heard about a parallel meaning of drawing room. Like a salloon, for stair, a transit place, made for an automatic movement (regular stair, continues path...) we proposed here a different aspect of this space, not try to stay not try to leave, just let it go, like it have to be.

Now we can't stay, everybody, everythings are in movement, and finally nothing change, nothing involve us. We loose something, without knowing.

This installation with drawing, picture, collage, tissu and earlgraving, is in a way of connexion. All elements are or try to be connected to others, sometimes it's weak, sometimes no. Sometimes dissapear, sometimes vomit on the floor. It's not easy to find balance in desiquilibrium times.

Bodies and their connections make an epty network, where conscienceness doesn't exist.Only fragments, of what? A squeleton? A trace, a print of a passage?

For Vaida and me, it was absolutly a link to a space and a act (here drawing)

all fragments from this installation come from drawing. (drawing on bodies , on the walls with hairs.)

It's not the first time that i use hairs to draw. As well, it's not fare from my basic drawing expression (more in curve, and more minimal). I draw with hair last year (stuck on wood) body without head.

In the drawing room we try to erase the limit of the pictures. It was the first step of this project (minimalistic black and white pictures of details of bodies painted with china ink)

The first project was a conception of the Haiku : From japanese autor and from Vaida too.

Faceless, Just numbered.

Lone pixel in the bitmap -

I, anonymous

He says a word,

and Isay a word – autumn

is deepening

No one travels

Along this way but I,

This autumn evening

A man, just one -

also a fly, just one -

in the huge drawing room

we wrote only the last one in each extremity of the drawing room (the stairs).

Unfortunatly, the miss of time can't push all this installation to a real finallity.

During this project, we make a video of total body shaving. We would like to add video projection and audio dispositif in the drawing room. For next exibition, in lituania, this spring.

I would like to thanks you about our discution during the presentation. We talk about cultural exchange, and the lucidity came back.

I found a training in a artistic european exchange. A organism connected with the East of Europe (my speciality).

http://www.apollonia-art-exchanges.com/

So during and after, but still connected, I will make training in lituania in scenography and exibition with a help from a cultural organisation.

http://www.nowart.eu/main.php/id/1/lang/1

http://menas.siauliai.lt/article/articleview/257/1/55/

I know artists in Poland, Lituania, ukrainia... network will work!

http://norwichvideoart.wordpress.com/2007/07/05/norwich-market/

http://www.independence-gallery.com/artists/artists.php?ARTID=15

http://www.menuspaustuve.lt/lt/

http://www.taburet.lizardfilms.com/

http://mfs.blox.pl/html/1310721,262146,14,15.html?5,2007